Weezer plays a cover of Metallica’s “The Four Horsemen” at Ottawa Bluesfest on July 18th.
Beloved and I went to Cisco Ottawa Bluesfest for the first time in years. Despite living in Ottawa for half a decade, we’d never found time to go before now. Work got in the way, or we had trouble finding a day’s line-up that really impressed us, at least enough to want to stand in a field pressed against thousands of people for hours and hours under a hot sun.
Then along came Weezer.
I’ve loved Weezer for years. It was one of the first bands I ever got into, starting back when they included their ‘Buddy Holly’ video with the installation of Windows 95. This seems appropriate for a band which has been dubbed one of the kings of ‘geek rock’. I picked up the Blue Album, and was hooked. My sister even used her own variation of ‘Undone (The Sweater Song)’ for an answering machine message.
Weezer and I have also had some rocky patches. Like many people, I was less than captivated by ‘Pinkerton’ or ‘Maladroit’, and by the mid-2000 (the Noughties?) would only turn to Weezer when I was looking to enjoy something vaguely retro.
The Red Album and Raditude changed that. Not every song was a hit, but those that were stayed with you. Those great songs, such as ‘Troublemaker’ and ‘Can’t Stop Partying’, quickly wore a rut into my iPod.
When I saw that Weezer was going to be the headline act for Bluesfest, I knew that it was time to reconsider. We picked up our tickets.
Bluesfest is a massive event, with 9 stages and more than 100 performers. At least, I’m assuming that it’s more than 100 performers. I started counting, and got tired at around 70, and there was still plenty more to go. Let’s go with the technical term: there were lots and lots of performers. The stages are well-spaced, and designed so that there’s a minimum of interference, both in noise and scheduling. Even so, it would be impossible to take in all of it.
There’s also a wide range of facilities on site, though much of the fare is similar. There are perhaps 10 or 15 places to get beer, but it’s all Mill Street. It’s good beer, but variety would have been nice.
The food menu was designed for a four-year-old’s birthday party. Plenty of burgers, hot dogs, and hamburgers, but a limited amount of other choices, such as Greek and Indian. To be fair, I don’t imagine they’d sell a huge number of salmon fillets, even if they were available. I just can’t imagine eating that all day, every day, for two weeks solid.
Prices are on the high side of bearable. Let’s just say that there’s a reason why there are so many people trying to smuggle booze into the park in everything from re-sealed water bottles to hip flasks stuffed inside boots. At $6.50 for a cup of beer, I’m surprised people weren’t trying to distill their own vodka from discarded French Fries.
The porta-potties were like porta-potties the world ’round. No matter how many you had at an event like that, you could always use more, preferably ones that are regularly serviced and not in direct sunlight like some sort of vile human oven. The one surprise was that there were showers available, which were apparently quite nice inside.
By the time we’d finished exploring the grounds, Trevor Hall was up on the stage. They aren’t kidding when they say that their influences include Jack Johnson and Bob Marley, but his laid-back reggae songs about tropic paradises and human kindness had us hooked. Definitely the sleeper success of the event, and the perfect soundtrack for travellers looking to unwind. Expect big things of the group in the years to come.
Next up was Hollerado, a local Indie band from Manotick who’s made big progress after the winning the LiVE 88.5 Big Money Shot Competition’s grand prize of $250,000. Hollerado had lots of energy, heavy drums, thrashing guitars, and a good stage show. The streamers and beach balls were a big hit, and they definitely drew a big following to the stage. I was also amused to see that they have two girls whose sole jobs are to toss out beachballs and sing “Oooooh!” into the microphone. Perhaps one of the perks of being a bandmember’s girlfriend?
But it was Weezer that everyone was waiting for, and they put on one hell of a show. Friends in the know had heard mixed reviews of their live performances, but you could tell from the moment it started that this one would be truly great.
The set list was perfect, from opener to encore, and included the best of their work from each of their albums. Even songs I didn’t particularly like sounded great when played live and accompanied by such an incredible stage show.
Lead singer Rivers Cuomo was everywhere and nowhere, all at once. He ran through the crowd and gave out high-fives. He hucked out rolls of toilet paper into the crowd. He bummed a cigarette from a fan, and then proceeded to climb the scaffolding on stage and rock out with the lucky few who had won the ‘best seat in the house’ raffle. He put himself in a barrel, which was rolled around on stage by fellow band members. He bounded across the stage on a trampoline. He pretended to smash guitars, but then really smashed a ukulele. (I think that Bluesfest deserves some credit for their stage, which was really well laid out. It allowed the natural progression from rocking out, to antics, to outright shenanigans.)
Beyond the stage show shenanigans, the covers were amazing. The Four Horsemen was definitely my favourite, but they also put together a MGMT-Lady GaGa mashup that was wonderful, and amazing, and indescribable. Rivers Cuomo was wearing a blond wig. At this point, any further description will just seem like ravings and scandalous over-exaggeration.
So, you’ll just have to see for yourself:
Weezer performs a MGMT-Lady GaGa mashup at Ottawa Bluesfest.
It was a wonderful night. Too wired to sleep, Beloved and I went out for Mod Night (Read: 60s Music and Dress) on Bank Street and danced until 1 am, then came home, ate cold Mac and Cheese and fell asleep. I can think of no finer way to spend a Sunday evening.




